Present the presentation form of this kind of content is relatively simple. For example the series of short videos Bringing Chinese Aesthetics to the World has relatively repetitive content and the content derived from it is also relatively simple. Although this type of content will often be liked and forwarded by central media and will also be favored by audiences if you want to stay out of the industry for a long time you still need to pay attention to the content plot and differentiation. It is difficult to create explosive products that break the circle Former intangible cultural heritage creators have proven the commercial potential of this
type but how to enhance the effect of overseas dissemination requires further exploration. For example in the episode When I Louvre by HuTiti Miao Yin appeared and received a lot of love. However Guizhou Miao Kuwait Phone Number Data Yin headwear is heavier and bulkier and is not suitable for daily wear. The proportion is small. Therefore there is also a discussion at the bottom of this video: I think integrating traditional clothing with daily life is more suitable for communication. Coincidentally the Quanzhou Hairpin Wai culture that became popular in also has characteristics that are not suitable for daily wear. On the one hand the difficulty in replicating
features has caused countless people to go to Quanzhou to experience the authentic Quanzhou Hairpin Wai which will contribute to the local culture of Quanzhou. Cultural tourism development. But on the other hand it also faces problems such as difficulty in integrating into daily life which is not conducive to further spread. Although the short video platform is popular among young people through the filming of Chinese clothing and music abroad it is still difficult to let traditional culture penetrate overseas and produce popular products. To explore this issue you can start with the new Chinese-style item that will become popular in - the horse-faced skirt. Observing the
发表于 2024-3-10 15:22:43
